Tag Archives: Workers

2023 Door Fourteen: Chimney Sweep on a Newbuild Estate

Chimney Sweep on a Newbuild Estate

Driving back through the estate, all the houses look the same:
The same front doors, the same front windows;
if it wasn’t for the fairy lights and decorations
they could all be the same home, the same Cotswold stone.

He pulls up in the driveway. One day soon,
he’ll get that sticker that says NO TOOLS
LEFT IN THIS VAN OVERNIGHT, but not yet,
and besides, there are. But perhaps he doesn’t care.

Looking out of his window later,
he surveys the same same houses again,
the uninsulated loftspaces, the mosaics
of solar panels, the smooth, featureless roofs.
It’s all wood-burners, these days, if anything,
Bags of briquettes from the front of the petrol station.
Nobody needs his help wiping down a pane of glass.

He knows his days are numbered:
A dirty job, in a dirty country, a dirty century,
and soon he’ll go the same way
as the blacksmith and the lamplighter,
the projectionist and the hangman;
he really doesn’t begrudge the progress,

especially as he looks down at the presents
his wife has started wrapping for their grandchildren.
Then again, as the midnight blue of the late afternoon
is lit by a single plume of smoke
rising on the horizon, he realises
how he’d love to have one more;
how much he’d love to see just one more Christmas.


Thinking about the genesis of this one, I think it comes from my Mum telling me yesterday that the chimney sweep was coming today; that percolated throughout this morning, without much thought, until I was washing up listening to the forgotten Madness Yuletide hit “Inanity Over Christmas“, and the line about chimney sweeps taking to the streets “in the ongoing situation.”

From there, it spiralled, and although it’s not turned out quite as well as I think it would’ve if I’d sat down and tried writing it earlier, Mayoral life got in the way (tonight, a carol service for Thames Valley Police at Christchuch Cathedral, of all things.) With one eye on the clock though, I haven’t left myself enough time to mull it over too much more.

I think there’s something hidden in this poem – some slightly buried meaning, or theme, that I can’t quite put my finger on, that I’ve found the metallic end of, poking out of the soil, but haven’t yet dusted down to reveal its complete shape. Maybe it’s in there, maybe it’s not. Perhaps it’s just due to the deliberately elegiac nature of today’s Door, which pleases me. There’s often something elegiac about Christmas, although we never seem to fully acknowledge it: The poinsettas, in memory of those we’ve lost; the Salvation Army and their mournful brass hymns; the grey where the snow should be, the cold. Christmas seems to have a huge tumulus of melancholy, confined to the corner of our eye. Like those blood vessels that float across our vision sometimes. A solar eclipse we can’t directly confront.

Writing this, I was reminded of a VHS we used to watch with my Granny, called A Christmas Eve Story, or something. As I recall, it began with a dedication to all the children who lived in houses without chimneys. There’s also more than a slight debt, in the way this poem ends, to John Osborne, one of my favourite poets who I’ve definitely mentioned on this Advent Calendar at least once before, specifically his poem “Ex-pupil visits old school”. I deliberately didn’t reread it tonight until I’d finished writing mine, but now I have and it’s more similar than I realised. Sorry John.

I mentioned Madness earlier too, but the more I think about it another song that seems to fit with today’s Door is the great Roy Harper’s sublime “When An Old Cricketer Leaves The Crease“. I first heard it on a free CD that came with Uncut magazine, a compilation of songs in the spirit of Ray Davies, which is a spirit that I often try and write in myself. A non-jingoistic, slightly jaded national pride, eulogising an old England that never quite existed but is nevertheless slipping inexorably away with time itself. A vein of thought as hard to put your finger on as any concept of England itself. I like to hope today’s poem finds itself nestled in that particular hedgerow, hemming in that particular astro-turfed village green.

It must be the sting in the ale. Eleven days to go…

Owen x

2023 Door Nine: Night Flight

Night Flight

Ladies and gentlemen, this is your captain speaking,
Those familiar words usually preceding bad news:
Delay, inclement conditions, engine failure, turbulence,
so you grin in advance of your subversion,
According to local time by our destination,
and according to the clock on our panel,
it is just turned midnight, therefore I’d like to be the first
to wish you all a very Merry Christmas from all of the team.

The people who will clap when you land break into applause;
some sleep right through it but one man raises an eyemask
at the disturbance, before smiling as he realises why;
in the backrows, some, who have had more from the trolley
than others, try to get a burst of a carol going,
it doesn’t catch on and it doesn’t matter.

This is the highlight of your jet-set life,
the pay-off of the airmiles, as the cabin crew high-five in the aisles
and you slip the switch back into cruise control, and smile;
as you start to come inland,
every seaside town is a selection box,
the dual carriageway a string of festoon bulbs,
each village a conurbation of baubles; from up here,
everyone’s got their lights up this year,

and you smile as you remember yourself as a child,
walking home from Midnight Mass,
scanning the night sky for blinking lights
as if it might be Father Christmas in his sleigh,
and you didn’t mind, even if they turned out to just be planes.


I went swimming tonight, and tried to think of a poem that might sum up my last 24 hours – the Mayor’s Carol Service, a trip to The Crafty Pint (beloved local micropub, now with its own baubles), waking up hungover, if not still a little tipsy, and fending it off with a two-hour dog walk, a wander round the Christmas Market, leftover pizza for breakfast, Liverpool coming from behind to beat Crystal Palace (allez allez allezzzzz!), hosing down a bit of old carpet (don’t ask) and then a trip to Lidl – but despite this embarassment of delights, all of which I enjoyed greatly, no poem was forthcoming.

Something about being around, or in, water though really inspires me, so by the time I was towelling myself down I had already started this poem; why a swimming pool at a health club on the outskirts of Witney got me thinking about pilots, I’m not sure – I think looking at my legs underwater made me think of a sinking cross-channel ferry, which in turn made me think about the ferries that must chug across la Manche as Christmas Eve turns to Christmas Day, and then – moving higher up the stratosphere – the planes that must criss-cross the skies that same night. And from there, I was here.

I think this song also owes a slight subconscious debt to a beautiful song called “I Work on Christmas Day”, by Whoa Melodic, which is available on another amazing Christmas album from the record label WIAIWYA (who I also sang the praises of last Sunday.) Give it a listen.

I like flying. A bit like being on the train, I find it a very poetic subject that makes me want to write something (and as with being on the train, I very rarely write anything decent when I try to.) I try to get out of the country at least once a year. I think it makes me appreciate England more to come back to it. Some years, I need all the help I can get in appreciating England, but then maybe that’s unfair – maybe it’s actually just the idiots running it (into the ground.)

I also like drinking on planes. I went to New York once and got accidentally quite pissed by the time I landed. When coming back from work trips to Frankfurt a few years ago, I’d often order a glass of wine, or prosecco, on my return journey, as a little reward for a successful trade show. It made me feel more like a high-flying international businessman, when in reality I was a fairly low-flying editorial assistant who couldn’t really feel below his knees. Good old Easyjet.

Luci and I have a friend who’s a pilot. He often talks about cocktails during Mexican layovers. It sounds like quite a plush lifestyle, but I’m not sure it’s for me. I struggle enough with driving, and at least with driving you’re less likely to either get blown up or crash into the ocean. I know that’s a pretty low risk when flying, too, but I think once it had happened once, that would be enough. Sometimes I think it would be a cool job though, even despite the hijackings.

A reminder, before I sign off, that if you’re enjoying this year’s Poetry Advent Calendar, you can pay it forward by giving a little bit of dosh to Asylum Welcome, via the Poetry Advent Calendar JustGiving page. They do such vital work and help vulnerable people feel safe, secure and part of our community, which is surely what we all want for each other and ourselves. Thank you to those who have chipped in so far, I love you for it.

Come fly with me. Sixteen days to go…

Owen x

2022 Door Fifteen: Last Posting Date

Last Posting Date

This is the last posting date:
Tomorrow there will be no mail, no parcels,
No connection with the outside or friendly face at the window.
Delivery drivers, working in private, will in time appear
To fling your parcel over the fence.
Don’t complain. Don’t write. There’s no one there.

This is the last travelling date:
Tomorrow there will be no trains or buses
Or the day after, or the day after.
We must walk from now on, or jam the roads
Like packing peanuts. And if you should find yourself
Stuck on a snowspattered platform,
Or in trouble on the last train, don’t complain.
We call this modernising.

This is the last teaching date:
After this, classroom staff will snap with exhaustion
Like the pencils they can’t afford to buy or sharpen,
Yet still they will work the schoolday again, to prepare and plan
To be judged on what they have drummed in,
Parum pum pum pum. Don’t complain,
Just up your game.

This is the last nursing date:
Who will hold your hand next Christmas
And make the best of the bad news,
Who will protect your heart and your brain,
Who will care like they did when they’ve all retrained
Unable to care closer to home,
Or feed a family on applause alone?

This is the last cleaning date:
The rubbish will pile up,
The detritus of a life lived uncaring,
Foxes will inherit the Earth, drawn to the city
Like a Nativity, don’t complain, this is what you voted for –
Scum.

This is the last date for the paramedics and ambulance drivers,
The driving examiners and baggage handlers,
The last day of the border staff and rail guards
The TAs and posties and bakers and shelterers,
This is the last days, unless we complain,
Unless we defy and stand tight and united
Unless we stand up and be counted. And strike.

This is the last firefighting date:
Tomorrow the world burns.


No prizes for guessing what this one’s about. The new winter of discontent has been rumbling on all Advent, increasingly bitter disputes in increasingly bitter conditions, over increasingly bitter conditions. Having dropped by the local CWU picket line in recent weeks to lend support, this morning, on the dawn of the first strike in the 106-year history of the Royal College of Nursing, I stood alongside the brave and brilliant nurses of Witney on their picket line too.

It was freezing, yet an inextinguishable warmth was provided when members of the CWU – themselves out again today – turned up to also lend their support, bringing various supplies of snacks and mince pies too. It was properly beautiful: The most perfect distillation of togetherness, of paying it forward, of solidarity. Your fight is our fight, and our fight is your fight. We stand together and we stand united.

I’m sorry that today’s Door, in spite of such heartwarming solidarity, is quite so bleak, but it sort of needs saying. Without our key workers, our public sector workers, the country, the world, would be in turmoil. Our society is totally skewed, when these people are being lambasted by cash-rich columnists and parsimonious Parliamentarians and we instead herald maniacal millionaires and hereditary rulers as beyond reproach. Time for the revolution, my friends. When was the last time anyone noticed one fewer billionaire?

If you’re reading this and want to comment below with a link to your strike fund, I’ll edit this post to include it. Keep up the amazing work – you are the best of us.

Which side are you on? Ten days to go…

Owen x

2022 Door Three: The Man In The Hi-Vis

The Man In The Hi-Vis

The man in the hi-vis is on top of a ladder,
And the ladder is leaning against a lamppost.
At the moment he is several George Formby songs in one.
He has his gloved fingers to the electrical connection
And a great vantage point of the Market Square,
Where – according to Rotary estimates –
4,000 people have come. From up there,

The man in the hi-vis can see the steam rising
From the gluhwein stalls, the frenetic confetti
Of the fairy light balloons, a whole stampede of unicorns
Eye to eye with the top of the Christmas tree
Wrapped in the string of municipal lights.

The man in the hi-vis has an important job to do,
He has to time it right. From the platform the Mayor wishes the square
A Merry Christmas, and the man in the hi-vis waits,
As he did through the local choirs and school bands
And tromboned homages to popular songs,
From the platform the MP speaks,
He offers nothing, the man in the hi-vis waits,
It is cold up there on top of the ladder.

4,000 people are keeping warm and clapping hands
And bouncing knees to the school brass band
Before it is time: Two children take the plunger
And the town cryer leads the countdown: From ten,
And with each decreasing digit the man in the hi-vis readies himself
Gloved hand on the actual switch, finger on the pulse of the town
And as those two red-cheeked infants push the lever
He flicks the switch…

And light fills up the square,
And bulbs and beacons and brilliant baubles dangle with a newfound flair
And a cheer rises in the air to meet the chestnut and bratwurst fumes
And the man in the hi-vis slides down the ladder before anyone sees.

Tonight, as the square empties and the platform is unbolted,
The lights will shine over the last stragglers,
And he will go home, take off his hi-vis
Put on his PJS, pour out a nightcap, settle down for the night
But he will still be
The man in the hi-vis
Who lit up the town.


I alluded to this in yesterday’s stream-of-barely-consciousness Door, but last night was the Witney Christmas lights switch-on, which as the general bonhomie of the subsequent poetry will suggest was a well-oiled success. Such a success, that it’s still on my mind today (possibly due to the hangover that also persists) and specifically on my mind is the eponymous hero of today’s Door.

I hate to be that guy, but the plunger on the stage that everyone’s looking at at events such as these does nothing; as a Town Councillor, I offer you now a glimpse behind the wizard’s curtain to reveal that that plunger is redundant, superfluous; merely a unplugged prop to give a focal point to the evening. At the culmination of the countdown, the lights are actually turned on by a series of council-employed workmen dangling off ladders, hiding in plain sight by a succession of electrical boxes. For the purposes of this poem, I’ve amalgamated them into one, but they’re all good dudes in their own right.

I don’t fully know why the plunger doesn’t work but I think it’s something to do with how tricky, and potentially fatal, it would be to have the whole town centre’s electricity grid diverted into one switch above ground, and then that switch put in the hands of a schoolchild high on festive fumes and candy floss. Yeah, that’s probably it actually. I guess I do know.

Anyway, sorry for the spoilers – I’m posting today’s Door relatively early, as I’m in London for the afternoon and don’t quite know when else I’ll find a pub with the holy trinity of plug socket, wifi and somewhere to sit. Seven Dials is heaving, but the Freemason’s Arms delivers. Even if it’s £5.50 for a lager top. Outrageous.

Talking of which, I’d better drink up and kick out. Places to go, people to see. Have a lovely Saturday folks.

Time at the bar! Twenty-two days to go…

Owen x